JAIR RODRIGUES

Antologia Da Seresta (1979)

One of the most popular and commercially successful samba interpreters in the '60s and '70s, Jair Rodrigues had his first radio experience in 1958 on a novice show in his hometown. Moving to São Paulo, he won a contest in another novice show on Rádio Cultura. Becoming a crooner in several nightclubs, he recorded for the first time in 1962 ("Marechal da Vitória"). His first LP came in 1963, O Samba Como Ele É. In 1964, he had his first hit with "Deixa Isso Pra Lá", which helped solidify his "malandro" (street smart) style. Rodrigues replaced Baden Powell in 1965 on a show with Elis Regina at the Teatro Paramount (the first place where the bossa nova was presented in São Paulo), which opened the way for the live recording with her of three anthological LPs (the Dois Na Bossa series). The commercial success of the recordings brought them an invitation to host the historical TV Record show O Fino da Bossa, in 1965. Rodrigues won the TV Record's II FMPB (Festival of Brazilian Popular Music) in the next year with "Disparada" (Geraldo Vandré/Teo de Barros), one of the most important songs of his repertory; the first place in that festival was shared with Chico Buarque's "A Banda". That same year, he recorded one of his biggest hits, "Tristeza" (Niltinho/Haroldo Lobo). In 1967, he performed in Portugal, Argentina, Angola, Uruguay, and Brazil, always with Elis Regina and the Zimbo Trio. He had other hits with "Triste Madrugada" (Jorge Costa), "Casa de Bamba" (Martinho da Vila), "Tengo-Tengo" (Zuzuca), and "Vai, Meu Samba." Rodrigues performed in several international festivals, like the MIDEM (in Cannes, France), Montreux, and San Remo. He continues to perform and had recorded 28 albums through 2000

Alvaro Neder

(All Music Guide)

Antologia Da Seresta

01. Boa Noite, Amor (José Maria de Abreu/Francisco Mattoso) • 2:13
02. Pot-Pourri • 3:39
    Três Lágrimas (Ary Barroso)
    Chuá, Chuá (Pedro Sá Pereira/Ary Pavão)
    Malandrinha (Freire Júnior)
03. Lábios Que Beijei (Leonel Azevedo/J. Cascata) • 2:26
04. Última Inspiração (Peterpan) • 2:40
05. A Voz Do Violão (Francisco Alves/Horácio Campos) • 3:27
06. Gente Humilde (Garoto/Chico Buarque de Hollanda/Vinícius de Morais) • 2:49
07. Eu Sonhei Que Tu Estavas Tão Linda (Francisco Mattoso/Lamartine Babo) • 3:19
08. Pot-Pourri • 2:39
    A Última Estrofe (Cândido das Neves "Índio")
    Maria Bethânia (Capiba)
    Minha Casa (Joubert de Carvalho)
09. Chão De Estrelas (Orestes Barbosa/Sílvio Caldas) • 3:33
10. Patativa (Vicente Celestino) • 3:01
11. Número Um (Mário Lago/Benedito Lacerda) • 2:15
12. Ave Maria (Erothides de Campos) • 2:23

JAIR RODRIGUES

Antologia da Seresta Vol. 2 (1981)

Antologia da Seresta Vol. 2

01. Lágrimas (Cândido das Neves "Índio) • 3:37

02. Revendo O Passado (Freire Júnior) • 3:34

03. Prá São João Decidir (Lupicínio Rodrigues) • 3:30

04. Sertaneja (René Bittencourt) • 4:16

05. O Ébrio (Vicente Celestino) • 3:12

06. Boneca (Aldo Cabral/Benedito Lacerda) • 3:05

07. Sinhá Maria (René Bittencourt) • 3:24

08. Céu Moreno (Uriel Lourival) • 2:10

09. Velho Realejo (Custódio Mesquita/Sadi Cabral) • 3:04

10. Senhor Da Floresta (René Bittencourt) • 3:20

11. Rapaziada Do Brás (Alberto Marino) • 2:37

LUPERCE MIRANDA

História De Um Bandolim (1977)

Luperce Miranda, and later, Jacob do Bandolim, were responsible for the presence of the mandolin in the Brazilian popular music scene. Before them, the mandolin was used sporadically and always as accompaniment. The crescent soloist activity of these renowned musicians imposed the instrument in a broader circle. Luperce Miranda played and recorded with the who's who of Brazilian popular music. Among his recordings, both as a soloist and accompanist, he left around 900 registers. He wrote around 500 compositions in several genres, such as choro, valse, and frevo. He was the first to be awarded by the Image and Sound Museum of Rio with the title Bacharel da Música Popular Brasileira (1970). At the same time, he was a noted professor, having founded the Academia de Música Luperce Miranda. A superb musician of irreproachable technique, he forged his style in the Neapolitan school, leaving to do Bandolim the honor of the development of a Brazilian school of the instrument.
He began to play the mandolin at eight, writing his first composition, a frevo, at 15. In the following year, he organized the Jazz Leão do Norte, a nine-piece orchestra in which he played the piano. In spite of what he declared (and what was widely rumored), he never took part in the Turunas da Mauricéia group. The group did record his tunes in their first contract with Odeon (1927), though they did all with Augusto Calheiros (the Patativa do Norte): the canção "Belezas do Sertão," the samba "O Pequeno Tururu," and the embolada "Pinião," which was the hit of the Carnaval of 1928. In 1927 he formed the group Voz do Sertão, who included a violonista (acoustic guitar player), Meira, who would later become nationally famous. He moved to Rio at age 24, in 1928, invited by João Pernambuco and Pixinguinha and bringing the Voz do Sertão. They recorded several of his songs soon after their arrival in Parlophon. In 1929, he formed the Regional Luperce Miranda, who were hired by Rádio Clube do Brasil. Together with Almirante, he recorded with the Bando de Tangarás. Almirante recorded his "Vaca Maiada", written with Manuel Lino. He accompanied the greatest stars of his time, like Carmen Miranda (he wrote the introduction to "No Tabuleiro da Baiana"), Francisco Alves, Mário Reis, Noel Rosa (in the first recording of "Com que Roupa?"), and others. In 1931, he performed in Argentina, including radio performances (Radio El Mundo) with Carmen Miranda, Francisco Alves, Mário Reis, Tute, Célia Zenatti, and Nestor Figueiredo. In 1936, he moved to Rádio Mayrink Veiga, and in 1945 to Rádio Nacional, both in Rio. In 1946 he moved to the Northeast, returning to Rádio Nacional in 1955 and staying until his retirement in 1973. In 1950, he toured the Federal Republic of Germany. In 1994, the label specializing in historical research, Marcus Pereira, released the CD História de um Bandolim, and in the following year, the contemporary virtuoso Pedro Amorim released another CD dedicated to him through Saci, Pedro Amorim Toca Luperce Miranda.

Alvaro Neder

(All Music Guide)

História De Um Bandolim

01. História De Um Bandolim (Luperce Miranda) • 2:30
02. Bonita (Luperce Miranda) • 3:23
03. Norival Aos Sessenta ( (Luperce Miranda) • 1:52
04. Naquele Tempo (Pixinguinha/Benedito Lacerda) • 2:25
05. Bambino (Ernesto Nazareth) • 2:13
06. Prelúdio Em Ré Maior (Luperce Miranda) • 3:16
07. Picadinho À Baiana (Luperce Miranda) • 1:54
08. Risonha  (Luperce Miranda) • 2:41
09. Mar De Espanha (Buonfiglio de Oliveira) • 3:10
10. Glória (Pixinguinha) • 4:28
11. Subindo Ao Céu (Aristides Borges) • 2:53
12. Bernardino (Luperce Miranda) • 2:00

JAMELÃO

Jamelão (1974)

Brazilian music giant Jamelão looms large in the evolution and continued relevance of samba. The foremost interpreter of dor-de-cotovelo, a romantic, profoundly melodramatic style exploring the anguish of the human experience, he also composed standards including "Deixa Amanhecer", "Um Dia Hás de Pagar", and "Ela Me Convidou", and for five decades remained a fixture of Rio de Janeiro's annual Carnival Parade. Born José Bispo Clementino dos Santos in Rio's São Cristóvão district on May 12, 1913, he shined shoes as a child, later toiling as a newspaper delivery boy and textile factory worker -- only during the early '30s did he pursue a career as a singer, adopting the cavaquinho (a small, four-stringed guitar central to samba tradition) and performing in the dancehalls of north Rio. With his booming, richly expressive voice he quickly emerged as a crowd favorite, earning his famous alias from a nightclub announcer who, unsure of the singer's name, introduced him as "Jamelão" (i.e. a sweet-tasting fruit with a dark skin). The name stuck, and in 1947 Jamelão rose to national prominence when he claimed first prize in a Rio amateur competition. Two years later, he was appointed the primary singer of the city's premier samba school, Mangueira, and in 1952 he toured France as the official crooner in front of Brazil's Tabajara orchestra. That same year, Jamelão made his first appearance on Mangueira's Carnival Parade float, an honor he reprised each year for more than half-a-century, with his signature white suit, panama hat, and walking stick, he would become one of the most recognizable exponents of the festival experience.
Jamelão's recording career spanned nearly two-dozen LPs and close to 70 years, during which time he scored a series of samba classics including "Mora No Assunto", "Matriz ou Filial", "Exaltação à Mangueira", "Seu Deputado", and "Fechei a Porta". Critics frequently cite his recordings with Severino Araújo's Orquestra Tabajara as the apex of his studio career as well as a pivotal turning point in the maturation of the modern samba sound. A perennial favorite of composers including Cartola, Zé Keti, Billy Blanco, and Ary Barroso, Jamelão nevertheless remains most closely aligned with southern writer Lupicinio Rodrigues, recording definitive renditions of sambas-canção like "Ela Disse-me Assim", "Torre de Babel", "Esses Moços", and "Quem Há de Dizer". Throughout his life, Jamelão gravitated to songs of lost love, betrayal and desperation, dubbing his operatic approach "romantic samba". Offstage, he was a famously combative man, notorious for walking out of press interviews and openly scornful of record executives, blaming them for discriminating against black musicians. A stroke forced Jamelão to relinquish his Estação Primera de Mangueira duties in 2005, and during the final years of his life he also suffered from diabetes and hypertension. Jamelão died June 14, 2008 at the age of 95 -- following his death, Rio's governor Sergio Cabral declared three days of mourning, and his funeral took place at the city's famed Sambódromo da Marquês de Sapucaí, where samba schools including Mangueira compete each year during Carnival.

Jason Ankeny

(All Music Guide)

Jamelão (1974)

01. Conquetel De Sofrimento (Lupicínio Rodrigues) • 4:27

02. Complicou-se (Lúcio Cardim/Antonio Moreno) • 3:51

03. Um Sagrado Juramento (Ferreira dos Santos) • 3:19

04. Uma Graça De Deus (José Bispo) • 3:54

05. Molambo (Jayme Florence "Meira"/Augusto Mesquita) • 3:39

06. A Vida É Isto (José Bispo) • 3:37

07. Se É Verdade (Lupicínio Rodrigues) • 4:21

08. Imantação (Lúcio Cardim/Antonio Moreno) • 5:25

09. Sou Verde-Rosa (José Bispo) • 3:30

10. Foi Bom (José Bispo/Moysés Sant'Anna) • 3:28

11. Castigo (Dolores Duran) • 3:34

12. Perdão, Perdão Amor (José Bispo/Almanyr Greco) • 3:09

ETERNOS SUCESSOS VOL. 2

Eternos Sucessos Vol. 2 (1975 - Aprox.) or Alternative

Eternos Sucessos Vol. 2

01. Recuerdos de Ypacarai - Gregorio Barrios (1955)
    (Zulema de Mirkins/Demetrio Ortíz) • 2:57
02. Lencinho Querido (El Pañuelito) - Dalva de Oliveira (1957)
    (Juan de Dios Filiberto/Gabino Coria Peñaloza/Vers.: Mauger Neto) • 3:16
03. Molambo - Roberto Luna (1955)
    (Jayme Florence "Meyra"/Augusto Mesquita) • 2:48
04. Chão De Estrelas - Sílvio Caldas (1937)
    (Sílvio Caldas/Orestes Barbosa) • 2:54
05. Meu Benzinho (My Little One) - Conjunto Farroupilha (1956)
    (Howe/Gussin/Vers.: Cauby de Brito) • 2:40
06. É Tão Sublime O Amor (Love Is A Many-Splendored Thing) - Osny Silva (1956)
    (Paul Francis Webster/Sammy Fain/Vers.: Alberto Almeida • 3:03
07. Maracangalha - Dorival Caymmi (1956)
    (Dorival Caymmi) • 2:52
08. Vai Que Depois Eu Vou - Zilda do Zé (1955)
    (Adolpho Macedo/Zé da Zilda/Zilda do Zé/Airton Borges) • 2:56
09. Saudosa Maloca - Demônios da Garoa (1955)
    (Adoniran Barbosa) • 2:52
10. Quem Sabe, Sabe - Joel de Almeida (1955)
    (Jota Sandoval/Carvalhinho) • 2:45
11. A Boneca Chorou - Bolinha, Cidoca & Sueli (1957)
    (Bolinha/Luizinho) • 3:08
12. Saca-Rolha - Zé da Zilda & Zilda do Zé (1953)
    (Zé da Zilda/Zilda do Zé/Waldir Machado) • 2:48

VELHINHOS TRANSVIADOS

Os Velhinhos Transviados Fabulosos (1963)

Velhinhos Transviados was the group led by Zé Menezes (José Menezes de França 06/09/1921, Jardim, Ceará), a multi-instrumentist and composer.  He played 6 and 7 string acoustic guitar, tenor acoustic guitar, mandolin, banjo, cavaquinho, 10 string guitar, electric guitar, Portuguese guitar and acoustic bass.  At the age of six he heard the Municipal Band on his town and fell in love with music.  He soon started playing guitar and then cavaquinho, surprising everybody with his hability.  He started being known as Zé do Cavaquinho.  At the age of nine, he played for father Cícero Romão Batista a choro he composed called "Meus Oito Anos".  Around the time he was 12 years old, he moved with a cousin to Fortaleza, where he started working on a "loudspeaker service" for many years.  He is considered one of the greatest cavaquinho players of Brazil.

Dicionário Cravo Albin da Música Brasileira

Os Velhinhos Transviados Fabulosos

01. Limbo Rock (B. Strange/J. Sheldon) • 2:12
02. Tem Bôbo Pra Tudo (João Corrêa da Silva/Manoel Brigadeiro) • 1:14
03. Passo Do Elefantinho (Baby Elephant Walk) (Henry Mancini) • 2:21
04. Feitiço Da Vila (Noel Rosa/Vadico) • 2:53
05. Legata A Un Granello Di Sabbia (Nico Fidenco/F. D. Marchetti) • 3:08
06. Garota De Ipanema (Tom Jobim/Vinícius de Moraes) • 2:03
07. Café Bola Branca (Oswaldo Borba/Nancy Wanderley) • 1:37
08. Afrikaan Beat (Bert Kaempfert) • 2:10
09. Et Maintenant (Rítimo de Samba) (Gilbert Bécaud/Pierre DeLanoë) • 2:09
10. Caterina (Earl Shuman/"Bugs" Bower) • 2:10
11. Beleza De Cores (J. Santos/Carlos Santana Lima) • 2:42
12. Urubu Malandro (Tradicional/Adapt.: Lourival de Carvalho "Louro"/João de Barro) • 1:42

MOREIRA DA SILVA

Conversa De Botequim (1970)

Moreira da Silva, the son of a trombonist of the band of the military police, sang as an amateur in serestas at a very young age. In 1931, he recorded for the first time ("Ererê" and "Rei Da Umbanda," both pontos de macumba by Amor for Odeon). He recorded another album for Odeon and moved to Columbia, where he recorded two hits for the Carnival of 1933: "Arrasta A Sandália" (Aurélio Gomes/Baiaco) and "É Batucada" (Caninha/Visconde de Bicuíba). The latter was the winner of the first official contest of Carnival music of Rio de Janeiro in the same year. Invited by Duque, Moreira da Silva went to work in the Cassino Atlântico. "Implorar Só A Deus" (Kid Pepe/Germano Augusto/J.S. Gaspar) was another hit in 1935, establishing his reputation as an inspired interpreter. In the next year, he began to appear on Programa Casé at Rádio Philips, and in 1937 he was hired by César Ladeira for Rádio Mayrink Veiga. In the same year, his interpretation of "Quatro Linhas" (Tancredo Silva) became a milestone, being the first time that he inserted slang and humorous commentaries between musical phrases (the break, or breque). This style, which he took to the ultimate point, became his trademark -- some of his breaks reached the mark of one minute or more, sometimes with dialogue. In the same year, "Jogo Proibido" (Tancredo Silva/Davi Silva/Ribeiro Cunha) continued in the same line, also with enormous success. In 1939, he toured Portugal (Porto and Lisbon), where he worked on the film A Varanda Dos Rouxinóis. "Amigo Urso" (Henrique Gonçalves), recorded for RCA Victor in the same year, became one of his greatest hits. After several other hits, he was hired by Rádio Tupi in 1950. In 1958, invited by Aluísio de Oliveira, he recorded the LP O Último Malandro, followed by several others. Miguel Gustavo wrote sambas-de-breque especially for him, describing adventures where Kid Morengueira (another of his nicknames) was the hero. The biggest hit of these was "O Rei do Gatilho" (1962). In 1979, invited by Chico Buarque, he performed on the Ópeara Do Malandro LP. He toured Brazil in 1980, in the Projeto Pixinguinha. The samba school Unidos de Manguinhos paid tribute to him, parading to the samba enredo "Moreira Da Silva, 90 Anos De Um Malandro." In 1995, he performed a series of shows with success in the Projeto Seis e Meia; his 94 years of age were commemorated with shows at the Ritmo nightclub, with the presence of several artists. In the same year, the book Moreira da Silva, O Último Dos Malandros (Alexandre Augusto Teixeira Gonçalves, Editora Record) was released. Moreira da Silva continued to perform in shows until his death in 2000.

Alvaro Neder

(All Music Guide)

Conversa De Botequim

01. Conversa De Botequim (Noel Rosa/Vadico) • 2:13
02. Avisa À Maria Que Amanhã Tem Baile (Haroldo Lobo/Milton de Oliveira) • 1:27
03. Minha Palhoça (Se Você Me Quisesse) (J. Cascata) • 1:40
04. Vou Me Casar No Uruguai (Walfrido Silva/Gadé) • 1:54
05. Homenagem (Moreira da Silva) • 2:04
06. O Analfabeto (S. Ferreira/Ernesto Pires) • 2:09
07. Risoleta (Raul Marques/Moacyr Bernardino) • 1:59
08. 1296 Mulheres (Zé Trindade/Moreira da Silva) • 1:51
09. Piston De Gafieira (Billy Blanco) • 2:43
10. Pedra Que Rolou (Pedro Caetano) • 1:44
11. Céu Azul (Moreira da Silva/César Cruz) • 2:04
12. Faustina (Encrencas de Família) (Gadé) • 2:04

ALTEMAR DUTRA

O Romântico (1970)

O Romântico

01. Por Amor (Rafael Solano/Reynaldo Costa) • 2:55

02. Hino Ao Amor (Hymne A L'Amour) (Édith Piaf/Margueritte Monnot/Vers.: Odair Marsano) • 4:07

03. Faça De Conta (Evaldo Gouveia/Jair Amorim) • 2:35

04. Que Seria De Você (Demétrius) • 3:20

05. Você (Evaldo Gouveia/Jair Amorim) • 2:02

06. Ternura Antiga (Ribamar/Dolores Duran) • 3:36

07. Meu Velho (Mi Viejo) (Piero Benedictis/José Tcherkaiski/Vers.: Nazareno de Brito) • 2:59

08. Isabel (Evaldo Gouveia/Jair Amorim) • 3:09

09. Quero-te Assim (Tito Madi) • 2:07

10. Hoje Eu Quis Recordar (Roberto Corrêa/Jon Lemos) • 2:06

11. Palavras (Altemar Dutra) • 3:45

12. Ana (Sílvio César) • 2:15

SÓ SUCESSOS VOLUME 9

Só Sucessos Volume 9 (1971) or Alternative

Só Sucessso Volume 9

01. Salve, Salve Brasileiro - Eduardo Araújo

    (Eduardo Araújo/Marcos Durães) • 3:51

02. Impossível Acreditar Que Perdi Você - Trio Esperança

    (Márcio Greyck/Cobel) • 2:43

03. De Tanto Amor - Eva

    (Roberto Carlos/Erasmo Carlos) • 3:02

04. Coisas - Pery Ribeiro

    (Taiguara) • 3:13

05. O Fim (The End) - Altemar Dutra

    (Jimmy Erondes/Syd Jacobson/Vers.: Mauro Sérgio)

06. Na Galha Do Cajueiro - Wilson Simonal

    (Tião Motorista) • 3:13

07. Carne E Osso - Taiguara

    (Taiguara) • 3:55

08. Primeiro Degrau - Agnaldo Timóteo

    (Jacobina/Heloísa Serra) • 2:59

09. Ê Baiana - Clara Nunes

    (Fabrício da Silva/Baianinho/Enio Santos Ribeiro/Miguel Pancrácio) • 3:05

10. Minha História (4/03/1943 Gesùbambino) - Luiz Cláudio

    (Lucio Dalla/Paola Pallotino/Vers.: Chico Buarque de Hollanda) • 3:28

11. De Noite, Na Cama - Doris Monteiro

    (Caetano Veloso) • 2:51

12. O Machão - Sílvio César

    (Sílvio César) • 2:56

JACOB DO BANDOLIM

Valsas E Choros Evocativos (1962)

Valsas E Choros Evocativos

01. Revendo O Passado (Freire Júnior) • 3:22

02. Alma Brasileira (Fernando Magalhães) • 3:20

03. Elza (A. F. Conceição/Xavier Pinheiro) • 3:09

04. Flor Do Mal (Saudade Eterna) (Santos Coelho) • 2:55

05. Clélia (Catulo da Paixão Cearense/Luiz de Souza) • 3:00

06. Subindo Ao Céu (Aristides Borges) • 2:46

07. Flor De Abacate (A. Sandim) • 3:03

08. Numa Seresta (Luiz Americano) • 2:45

09. Bonicrates De Muletas (Biliano/Jacob do Bandolim) • 2:37

10. Saxofone, Por Que Choras? (Ratinho) • 2:42

11. Língua De Preto (Honorino Lopes) • 2:45

12. Dolente (Jacob do Bandolim) • 2:52

CARLOS JOSÉ

Uma Noite De Seresta Vol. II (1967)

Carlos José recorded more than 25 albums from 1957 to 1975. Among his biggest hits, "Oferta" (his first recorded composition, 1958), "Esmeralda" (Fernando Barreto/Filadelfo Nunes, 1960), "Lembrança" (1962), "Queria" (Carlos Paraná, 1964), and "Oração da Mãe Menininha" (Dorival Caymmi, 1973) deserve mention. At 11, he learned to play the violão (Brazilian acoustic guitar) with his mother. At 13, he received first place in the famous novice radio contest Papel Carbono. In 1957, while studying at law school, he had a big break on Flávio Cavalcânti's show on TV Rio. He soon recorded his first single (through Polydor), with "Foi a Noite" (Tom Jobim/Newton Mendonça) and "Ouça" (Maysa). He was appointed Revelation of the Year by critics of Rio de Janeiro. Leaving law school, he began to perform both nationally and internationally (through Argentina and Uruguay). In 1997, José re-recorded his biggest hits in Polygram's 20 Super Sucessos de Carlos José.

Alvaro Neder

(All Music Guide)

Uma Noite De Seresta Vol. II (1967)

This  was copied from the 1973 reissue.

01. Nancy (Luiz Lacerda/Bruno Arelli) • 2:21

02. Lua Branca (Chiquinha Gonzaga) • 2:02

03. Ao Luar (Dileta) (Cândido das Neves) • 4:13

04. Guacyra (Heckel Tavares/Joracy Camargo) • 1:51

05. Malandrinha (Freire Júnior) • 3:12

06. Arranha-Céu (Sílvio Caldas/Orestes Barbosa) • 2:32

07. Acorda, Adalgiza (Autor Desconhecido) • 2:05

08. Ave Maria (Erotides de Campos) • 2:32

09. Três Lágrimas (Ary Barroso) • 3:45

10. Ontem, Ao Luar (Catulo da Paixão Cearense/Pedro de Alcântara) • 2:15

11. Lua Nova (Francisco Alves/Luiz Iglezias) • 2:51

12. Por Causa Desta Cabocla (Ary Barroso/Luiz Peixoto) • 3:08

HOMENAGEM A LUPICÍNIO RODRIGUES

Homenagem A Lupicínio Rodrigues (1974)

Homenagem A Lupicínio Rodrigues

01. Cadeira Vazia - Francisco Petrônio (1964)
    (Lupicínio Rodrigues) • 3:31
02. Foi Assim - Jamelão (1962)
    (Lupicínio Rodrigues) • 3:44
03. Homenagem - Mauricy Moura (1965)
    (Lupicínio Rodrigues) • 2:53
04. Nervos De Aço - Noite Ilustrada (1970)
    (Lupicínio Rodrigues) • 2:30
05. Felicidade - Chocolate do Mercado Modelo (1974)
    (Lupicínio Rodrigues) • 2:48
06. Meu Abraço - Jamelão (1973)
    (Lupicínio Rodrigues/Leduvy de Pina) • 3:48
07. Vingança - Noite Ilustrada (1973)
    (Lupicínio Rodrigues) • 2:22
08. Maria Rosa - Francisco Petrônio (1974)
    (Lupicínio Rodrigues/Alcides Gonçalves) • 3:14
09. Nunca - Mauricy Moura (1965)
    (Lupicínio Rodrigues) • 3:36
10. Ela Disse-me Assim (Vá Embora) - Lauro Paiva (1959)
    (Lupicínio Rodrigues) • 2:45
11. Brasa - Noite Ilustrada (1969)
    (Lupicínio Rodrigues/Felisberto Martins) • 2:57
12. Meu Natal - Jamelão (1962)
    (Lupicínio Rodrigues) • 3:25

A PRÓXIMA ATRAÇÃO

A Próxima Atração (1970)

A Próxima Atração

01. Ciça Cecília - Erasmo Carlos
    (Erasmo Carlos/Roberto Carlos) • 3:34
02. A Próxima Atração - Ivan Lins
    (Ivan Lins/Ronaldo Monteiro de Souza) • 2:13
03. Regina - Ronnie Von
    (Edmundo Souto/Paulinho Tapajós) • 4:37
04. Zip - Briamonte Orquestra
    (José Briamonte) • 1:57
05. Panorama, Segundo Rodrigo - Marcus Pitter
    (Rildo Hora/Antonio Carlos) • 2:59
06. Quem Vem De Lá - MPB4
    (Arthur Verocai/Paulinho Tapajós) • 2:56
07. Madalena - Elis Regina
    (Ivan Lins/Ronaldo Monteiro de Souza) • 2:52
08. Dia Do Grilo - Charanga
    (Luiz Carlos Sá) • 3:13
09. Sucesso, Aqui Vou Eu - Rita Lee
    (Rita Lee/Arnaldo Baptista) • 2:40
10. Sol Nascente - Roberto Menescal
    (Nonato Buzar/William Prado) • 2:21
11. Verdes Campos da América - Antonio Cláudio
    (Paulinho Machado) • 3:04
12. Atmosfera - Briamonte Orquestra
    (José Briamonte) • 2:40

ANGELA MARIA

Com Amor E Carinho (1978)

Com Amor E Carinho

01. Prisioneira (Cláudio Fontana) • 3:00
02. Tango Nostalgia (Adilson Adriano) • 2:12
03. Amélia De Você (Elena de Grammont/Eliane de Grammont) • 4:20
04. Orgulho (Nelson Werderkind/Waldir Rocha) • 3:00
05. Choro Especial (Jair Amorim/Evaldo Gouveia) • 3:16
06. Amante Bandido (Fernando Mendes/Miguel) • 3:55
07. Adeus Querido (Eduardo Patané/Floriano Faissal) • 3:00
08. A Partida (Jair Amorim/Evaldo Gouveia) • 3:55
09. Mamãe - Angela Maria e Agnaldo Timóteo
    (Herivelto Martins/David Nasser) • 3:38
10. Babalu (Marguerita Lecuona) • 4:23
11. Se Alguém Disser Adeus (Jair Amorim/Evaldo Gouveia) • 3:30
12. Teu Retrato (Maurício Duboc/Carlos Colla) • 4:22
13. Deus (Ademir Bezerra/Costa) • 3:45

14 MAIORAIS Nº 8

14 Maiorais Nº 8 (1965) or Alternative

14 Maiorais Nº 8

01. A Praia (La Playa) - Agnaldo Rayol
    (Jovem Wetter/Vers.: Bruno Silva) • 4:04
02. Falhaste Coração (Fallaste Corazón) - Angela Maria & Guaranis
    (Cuco Sanchez/Vers.: Luiz Carlos Gouvêa) • 3:05
03. Preciso Aprender A Ser Só - Jorge Nery
    (Marcos Valle/Paulo Sérgio Valle) • 4:11
04. Letkiss Jenka - Jordans
    (R. Lehtinen) • 3:07
05. Música Das Montanhas (The Sound Of Music) - Moacyr Franco
    (Richard Rodgers/Oscar Hammerstein II/Vers.: Nazareno de Brito) • 4:17
06. Canção de Amor - Elizeth Cardoso
    (Chocolate/Elano de Paula) • 3:46
07. Pau De Arara - Moura Júnior
    (Carlos Lyra/Vinícius de Moraes) • 4:00
08. Rosa De Ouro - Elizeth Cardoso
    (Hermínio Bello de Carvalho/Elton Medeiros/Paulinho da Viola) • 2:42
09. Amor Criança - Wanderley Cardoso
    (Genival Mello/Dora Lopes) • 3:32
10. Nossa Canção De Amor (Summer Love) - Silvana
    (Victor Young/Milton Berle/Bernard Arnold/Vers.: Salatiel Coelho) • 3:30
11. Ana Lúcia - Rinaldo Calheiros
    (João Roberto Kelly/Augusto Mello Pinto) • 3:36
12. Flamengo - Clevers
    (Brincos) • 2:39
13. O Princípio E O Fim (Ma Vie) - Agnaldo Rayol
    (Alain Barrière/Vers.: Nazareno de Brito) • 4:07
14. Pequenina... Mas Resolve - Angela Maria
    (Adelino Moreira) • 2:53

CARLINHOS VERGUEIRO

Só O Tempo Dirá (1975)

The composer/interpreter Carlinhos Vergueiro has had his songs, which are very faithful to the traditional samba, recorded by Paulinho da Viola, Caetano Veloso, Djavan, Chico Buarque, Martinho da Vila, Toquinho, Ney Matogrosso, Mestre Marçal, Edu Lobo, João Nogueira, Luiz Melodia, Ana Flávia, Antonio Marcos, Beth Carvalho, Carol Saboya, Christina Buarque, Clementina de Jesus, Demônios da Garoa, Dora Vergueiro, Elton Medeiros, Francis Hime, Grupo Catavento, Jessé, Leny Andrade, Lúdica Música, Maria Alcina, Maria Creuza, Olívia Hime, Paulinho Boca de Cantor, Trio Mocotó, Trovadores Urbanos, Vanusa, Wilson Miranda, and Zezé Freitas. His samba "Vendaval" was included on the BMG CD Os Grandes Sambas da História (The Big Sambas of History), 1998. He is the brother of Guilherme Vergueiro and grandson of the concert master Guilherme Fontainha; since his childhood, Carlinhos Vergueiro studied the piano and music theory, performing in public since the age of seven. In 1973, working in the stock market, Carlinhos recorded two singles. In 1974, he recorded his first LP, Brecha, abandoning his job and dedicating himself to his music. In 1975, he had a major break, winning Rede Globo's 1975 Festival Abertura with his song "Como um Ladrão." In 1978, he toured Brazil with Cartola in the Pixinguinha project. In 1980, he performed together with Nelson Cavaquinho and, in 1989, with Leny Andrade at the Golden Room of the Copacabana Palace. He performed in Italy in 1983, winning the Tenco award in San Remo; he also performed in France (1984) and Cuba (1981). As a producer, Carlinhos realized art works dedicated to Geraldo Filme (1980), Nélson Cavaquinho (Flores em Vida, 1985), Chico Buarque (A Ópera Do Malandro, 1985), and Candeia (1986). He has written songs with Vinícius de Moraes, Chico Buarque, Toquinho, Sueli Costa, Paulo César Pinheiro, Elton Medeiros, João Nogueira, Paulinho da Viola, among others. He has more than 150 recorded songs, among them "Por Que Será" (with Vinícius de Moraes/Toquinho, 1977), "Torresmo À Milanesa" (with Adoniran Barbosa, 1980), "Camisa Molhada" (with Toquinho, 1976), "Como um Ladrão" (1975), and "Nosso Bolero" (1986) (both with Chico Buarque), "Tocaia de Cobra" (with Paulo César Pinheiro, 1998), and "Dia Seguinte" (with J. Petrolino, 1978), which was also recorded by Beth Carvalho.

Alvaro Neder

All Music Guide

Só O Tempo Dirá

01. De Onde Vem (Carlinhos Vergueiro) • 2:34

02. Pelas Ondas Do Bar (Carlinhos Vergueiro) • 3:18

03. Paraquedista (José Leocádio) • 2:12

04. Precipício (Carlinhos Vergueiro) • 2:47

05. Eco (Carlinhos Vergueiro) • 2:47

06. Só O Tempo Dirá - Carlinhos Vergueiro e Velha Guarda da Portela

    (Carlinhos Vergueiro) • 2:44

07. Como Um Ladrão (Carlinhos Vergueiro) • 3:37

08. Como Dói (Carlinhos Vergueiro) • 2:26

09. Se Cuide (Carlinhos Vergueiro) • 1:50

10. Os Olhos Das Meninas (Carlinhos Vergueiro) • 2:18

11. Aragem De Fé (Carlinhos Vergueiro) • 2:47

12. Foi Fatal (Carlinhos Vergueiro) • 2:39

ROBERTO FIORAVANTI

Valsas De Zequinha De Abreu Na Voz De Roberto Fioravanti (1963)

Valsas De Zequinha De Abreu Na Voz De Roberto Fioravanti

01. Branca (Zequinha de Abreu/Duque de Abramonte) • 2:46
02. Alma Em Delírio (Zequinha de Abreu/Dino Castello) • 2:40
03. Morrer Sem Ter Amado (Zequinha de Abreu/Daro Demósthenes) • 3:20
04. Último Beijo (Zequinha de Abreu/Príncipe dos Sonhos) • 3:26
05. Amando Sobre O Mar (Zequinha de Abreu/Arlindo Marques Júnior) • 3:16
06. Tardes Em Lindóia (Zequinha de Abreu/Pinto Martins) • 3:25
07. Aurora (Zequinha de Abreu/Salvador J. de Moraes) • 3:20
08. Nosso Ideal (Zequinha de Abreu/Príncipe dos Sonhos) • 3:30
09. Rosa Desfolhada (Zequinha de Abreu/Dino Castello) • 350
10. Amor Imortal (Zequinha de Abreu/João de Barro) • 2:50
11. Longe dos Olhos (Salvador J. de Moraes) • 3:25
12. Só Pelo Amor Vale A Vida (Zequinha de Abreu/Daro Demósthenes) • 3:45

ANÍSIO SILVA

Os Grandes Sucessos De Anísio Silva (1974)

Os Grandes Sucessos De Anísio Silva

01. Tudo Foi Ilusão (Laerte Santos/Arcilino Tavares) • 2:46
02. Vida, Vida (Anísio Silva) • 2:40
03. Sonhando Contigo (Anísio Silva/Fausto Guimarães) • 2:29
04. Sempre Comigo (Anísio Siliva/William Duba) • 2:12
05. Abismo (Anísio Silva) • 2:45
06. Interesseira (Bidú Reis/Murillo Latini) • 2:46
07. Tu, Somente Tu (Anísio Silva/Jonas Garret) • 2:57
08. Não Digo O Nome (Jair Amorim) • 2:38
09. Onde Estás Agora (Anísio Silva) • 2:52
10. Quero Beijar-te As Mãos (Arcênio de Carvalho/Lourival Faissal) • 2:39
11. Devolva-me (José Orlando/Miguel Orlando) • 3:00
12. Pressentimento (Milton Silva/Edgard Luiz) • 2:39
13. Alguém Me Disse (Evaldo Gouveia/Jair Amorim) • 2:56
14. Estou Pensando Em Ti (Raul Sampaio/Benil Santos) • 2:56

GAÓ

Bem Brasileiro (1969)

Gaó, born Odmar Amaral Gurgel in 12/02/1909 was a maestro, arranger, composer and piano player.  He worked for many years in the Paulista and Carioca radios and was also a director at the Columbia label in Brazil.

He started his career in 1926 at the Radio Educadora Paulista.  In 1930 he created and started directing the Colbaz Orchestra which recorded many songs for the Columbia label, including the first documentation of the choros "Os Pintinhos No Terreiro" and "Tico-Tico No Fubá", and the waltz "Branca", all by Zequinha de Abreu.

Through his artistic life he accompained many artists like Hebe Camargo, Norma Ardanuy and others, recorded several records, being "Bem Brasileiro" (1969) one of the last he produced.

Bem Brasileiro

01. Brasileirinho (Waldir Azevedo) • 2:03

02. Garoto (Ernesto Nazareth) • 1:45

03. Tico-Tico No Fubá (Zequinha de Abreu) • 2:03

04. Paquerando (Gaó) • 2:30
05. Atraente (Chiquinha Gonzaga) • 1:56
06. Choro Nº 1 (Heitor Villa-Lobos) • 2:41
07. No Rancho Fundo (Ary Barroso/Lamartine Babo) • 2:33
08. Um Baile Em Catumbi (Eduardo Souto) • 2:33
09. Zênite (Ernesto Nazareth) • 1:47
10. Mini-Saia (Gaó) • 1:50
11. Chuá, Chuá (Pedro de Sá Pereira/Ary Pavão) • 2:56

OSNY SILVA

Capricho (1963)

Osny Silva (born Osny Rufino Da Silva Gomes 21/10/1919-20/07/1995) achieved enormous success with his first recording in 1943, "Alza Manolita (As Cartas Não Mentem Jamais)",  surpassing Francisco Alves and Vicente Celestino, who would record the same song afterward.  In 1951, Osny Silva launched the famous and broadly popular anthem of the soccer team Corinthians, "Campeão dos Campeões" (written by Lauro D'Ávila), a tribute to the team he was crazy about in the year it was champion.  Still popular in 1964, he was a top-seller with hits like "Jura-me", "Funeral Dum Rei Nagô", "Banzo", "Violino Cigano", "Cavaleiro Errante", "Olhos Negros", "Navio Negreiro", "O Trovador de Toledo" and several others.

Osny Silva started at the Rádio Educadora Paulista in 1939, signing with Rádio Tupi in 1940. In 1943, by suggestion of the conductor Spártaco Rossi, he recorded "Alza Manolita (As Cartas Não Mentem Jamais)", a Leo Daniderff valse that had been successfully recorded by Eduardo das Neves in the 1910s.  In his interpretation, the recording sold an amazing 80,000 copies, much more than the re-recordings by Francisco Alves (also in 1943) and by Vicente Celestino (three years later, with a version done by himself). Osny Silva recorded other albums through 1945 without the same success. In 1951, he was awarded as the Best Singer of International Popular Music, and encouraged by the success he recorded successfully in 1953 "Bandolins ao Luar" and "Violino Cigano", followed by the hits "Risque", "João Valentão", and others.  In that year, he was awarded with the Roquette-Pinto prize as the Best Singer, touring throughout Brazil, Chile, and Argentina, countries in which he also recorded. His album with "Funeral Dum Rei Nagô" and "Barzô" was considered one of the best of 1954.

Alvaro Neder (All Music Guide)

Capricho

01. Capricho Cigano (Mário Zan/Messias Garcia) • 2:12

02. Só Para Você (Mário Zan/Messias Garcia) • 2:38

03. Adiós Mariquita Linda (Marcos A. Jiménez) • 2:37

04. Jura-me (Jurame) (María Grever/Vers.: Oswaldo Santiago) • 2:27

05. Te Quiero Dijiste (María Grever) • 2:50

06. Beijo Nos Olhos (Portinho/Wilson Falcão) • 2:53

07. Torna Sorriento (A. De Curtis/Vers.: Hélio Ansaldo) • 2:01

08. Coimbra (Raul Ferrão/Dr. Galhardo) • 2:29

09. Jamais Te Esquecerei (Antonio Rago/Juracy Rago) • 2:48

10. Beija-me Muito (Besame Mucho) (Consuelo Velazques/Vers.: David Nasser) • 3:11

11. Marita Romano (Jair Gonçalves) • 2:34

12. Adeus (Adiós) (Enrico Madriguera/Vers.: Osny Silva) • 2:17

FRANCISCO PETRÔNIO

O Romântico (1964)

Francisco Petrônio (Francisco Petrone 08/11/1923 • 18/01/2007) started his musical career at the age or 37, in 1960, when he worked as a taxi driver and once when he was driving his friend, the DJ Nerino Silva, he told him that he would like to sing.  Nerino took him to the Emissoras Associadas for an audition and he got a contract for 2 years.  In 1961 he started working professionally on the Radio and TV Tupy, in São Paulo.  In the same year he recorded his first song, for the Chantecler label, the bolero "Agora" by Don Fabian and Paulo Augusto, and the tango "Não Me Falem Dela", by Jorge Moreira and Sebastião Ferreira da Silva, accompained by the Chantecler Orchestra conducted by Élcio Álvares.  In 1962, he moved to the Continental label where he stayed for mor than 20 years, taken by the producer and composer Diogo Mulero (Palmeira).  In the same year he recorded the boleros "Segredo" (Daniel Magalhães/Cid Magalhães) and "Disfarce" (Umberto Silva/Luiz Mergulhão/Toso Gomes).  This record got the number 005 and was part of the 78000 series, the last of the 78 rpm released by Continental.  He also recorded "Balada Do Homem Sem Rumo" (Castro Perret) and "Bolero Triste" (Paulo Augusto/Nízio).  Still in 1962, he recorded with Dilermando Reis the LP "Uma Voz E Um Violão Em Serenata", the first of a series of 7.

1963 was full of new recordings, including "Natal Da Minha Terra" and "Nova Flor", both by Palmeira and Mário Zan.  Later in the year he was awarded with the Chico Viola, for the recording of "Romance".  In 1964 he recorded the bolero "Cigana" (Túlio Piva).  In the same year, he recorded one of the last 78 rpm records released by Continental, with the songs "Valsa Dos Namorados" (Silvino Neto) and "Eu Pago Esta Noite (Stasera Pago Io), by Domenico Modugno with version by Waldyr Santos.  By this time he started working as a free lancer for the radios and TV stations and released the LP "O Romântico", which had, among others, "Nova Flor" (Palmeira/Mário Zan); "Cigana" (Túlio Piva) and "Io Che Amo Solo Te" (Sergio Endrigo).

In 1965 he went to Portugal and performed at Cassino Estoril.  He recorded the album "Baile Da Saudade", whose title song, by Palmeira and Zairo Marinoza, became his greatest hit.  He started, then, to promote the "Baile da Saudade", supported by the "Clube da Saudade", and specialized in singing serenades.  In 1966 he was hired by TV Globo where he hosted the program "Baile da Saudade".  In 1968 he started producing his own program that moved to Radio Gazeta.  He created the "Orquestra da Saudade" with professional dancers to promote serenades through Brazil.

During the 1970's he went busy recording several albums like others from the series "Uma Voz E Um Violão Em Serenata", with Dilermando Reis, "Tempo De Seresta" with the Conjunto Época de Ouro, "Francisco Petrônio Homenageia Francisco Alves", "Tributo A Carinhoso", went to RCA Victor and then returned to Continental.

In 1995, he recorded by RGE the CD "Trinta Anos De Saudade"; in 1997, released the CD "Lembranças", also by RGE and in 2000 the LP "Nostalgia Della Terra Nostra". For almost 40 years, he directed the program "Baile da Saudade", lately at Rede Vida.

O Romântico

01. Eu Pago Esta Noite (Stasera Pago Io) (Domenico Modugno/Vers.: Waldyr Santos) • 3:16

02. Nova Flor (Palmeira/Mário Zan) • 3:24

03. Trono Azul (Gavote Stefanie/Czibuica/Adapt.-Lyrics: Palmeira/Alfredo Corletto) • 3:20

04. Frente Ao Mar (Frente El Mar) (Mariano Mores/R. Taboada/Vers.: Genival Mello) • 2:56

05. Sabor A Mim (Sabor A Mi) (Alvaro Carrillo/Vers.: Nazareno de Brito) • 3:12

06. Terceira Noite (La Terza Luna) (Francesco Migliacci/Enriquez/Vers.: Paulo Augusto) • 2:35

07. Cigana (Túlio Piva) • 2:44

08. Meu Amor Ante Tudo (Mario de Jesus/Vers.: Sérgio Reis) • 3:19

09. O Amor Mais Puro - Francisco Petrônio and Enzo de Almeida Passos (Palmeira) • 3:33

10. Peça (Pide) (Augusto Algeró/Antonio Guijarro/Vers.: Waldyr Santos) • 3:17

11. Sabrá Dios (Alvaro Carrillo) • 3:06

12. Io Che Amo Solo Te (Sergio Endrigo) • 3:18

ALTEMAR DUTRA

Sinto Que Te Amo (1966)

Self-taught singer Altemar Dutra enjoyed great success in Brazil, Latin America, and the U.S. as an interpreter of Latin romantic songs in several genres. He has recorded several albums, some of which were released internationally. He moved to Colatina, Espírito Santo, with his family, where he taught himself to play the violão (acoustic guitar). His first public performance was at Rádio Difusora, winning a novice contest. With his talent confirmed in several similar successes, at age 17 he moved to Rio de Janeiro and was hired by Boite Baccarat and famous nightclub O Cangaceiro. Dutra's first recording was a single with "Saudade Que Vem" (Oldemar Magalhães/Célio Ferreira) and "Somente Uma Vez" (Luiz Mergulhão/Roberto Moreira) in the early '60s. He consolidated his audience in Rádio Mundial's show Boleros Dentro Da Noite and was hired by Odeon. His first national hit came with "Tudo De Mim" (Evaldo Gouveia/Jair Amorim). Other hits of the famous duo's compositions were "Sentimental Demais," "Somos Iguais," "O Trovador," and "Que Queres Tu De Mim?" In Brazil, he released 24 LPs. He also recorded in Spanish (selling up to 500,000 copies of his albums in that idiom), including an album shared with Lucho Gatica (El Bolero Se Canta Así), and performed several times in other Latin American countries. Highly regarded by the Latino community in the U.S., he became one of the most popular foreign singers. He was actually performing in a New York nightclub (La Tranquera) when he died.

Álvaro Neder (All Music Guide)

Sinto Que Te Amo

01. Brigas (Evaldo Gouveia/Jair Amorim) • 3:02

02. Eu Sinto Que Te Amo (Ho Capito Che Te Amo) (Luigi Tenco/Vers.: Manolo Silva) • 2:04

03. Quem Sabe De Mim Sou Eu (Evaldo Gouveia/Jair Amorim) • 3:03

04. A Mentira (La Mentira) (Alvaro Carrillo/Vers.: Simões Nobre) • 2:36

05. Eu Canto A Minha Dor (Toso Gomes/Antonio Correa) • 2:49

06. Casei De Ilusões (Tito Madi) • 2:44

07. Minha Vida (Vida Mia) (Charles Carr/Vers.: Manolo Silva) • 2:25

08. Quem Me Mandou Acreditar (Raul Sampaio/Benil Santos) • 2:57

09. O Encontro (Evaldo Gouveia/Jair Amorim) • 2:43

10. Preciso Aprender A Ser Só (Marcos Valle/Paulo Sérgio Valle) • 2:44

11. O Que Restou De Nós (Maurício de Oliveira/Fernando César) • 2:53

12. Depois Do Adeus (Carlito/Romeo Nunes) • 2:52

ANGELA MARIA

Presença De Angela Maria (1961)

Presença De Angela Maria

01. Prelúdio Para Ninar Gente Grande (Luiz Vieira) • 3:27
02. Lembranças (Benil Santos/Raul Sampaio) • 3:04
03. O Menino E O Alçapão (Armando Cavalcante/Victor Freire) • 1:42
04. Brigas De Amor (Adelino Moreira) • 2:20
05. Castigo Ruim (Coelho Neto) • 3:21
06. Sempre O Luar (Klécius Caldas/Armando Cavalcante) • 2:10
07. Esta Noite Ou Nunca (Adelino Moreira) • 2:29
08. Samba Em Prelúdio (Baden Powell/Vinícius de Moraes) • 3:25
09. Confidência (Raul Sampaio/Benil Santos) • 2:37
10. Distande De Deus (Fernando César/Jorge Iara) • 2:51
11. A História De Caim (Jacinto Silva) • 2:29
12. Sabes Mentir (Othon Russo) • 2:47

NELSON GONÇALVES

Escultura 1957

Escultura

Yeah, I know! Another one... but this album is great!  I couldn't resist.

01. Escultura (Adelino Moreira/Nelson Gonçalves) • 3:33

02. Vida De Caboclo (Radamés Gnatalli/Arlindo Marques Júnior/Roberto Roberti) • 3:24

03. Se Ninguém Te Ama (Osvaldo Barbosa/José Reis) • 3:29

04. Nova Copacabana (Herivelto Martins/David Nasse) • 2:44

05. Deixe Que Ela Se Vá (Evaldo Gouveia/Gilberto Ferraz) • 3:12

06. Insônia (Erasmo Silva/Geraldo Serafim) • 2:43

07. Silêncio Da Seresta (Adelino Moreira) • 2:46

08. Fala Coração (Alberto Sabatini) • 3:09

09. És Tudo Para Mim (Nelson Gonçalves/Pedro Moacyr) • 2:35

10. Destino (Raul Sampaio/Ivo Santos) • 3:19

11. Prece Ao Sol (Jorge de Castro/Wilson Baptista) • 2:55

12. Atiraste Uma Pedra (Herivelto Martins/David Nasser) • 3:14

CALENDÁRIO MUSICAL RENNER

Calendário Musical Renner (1961)

Calendário Musical Renner

Once in a while, some company would, a few decades ago, produce an album to distribute among their customers and special clients.  Those albums were, most of the times, of exclusive material or rare performances.  This is one of those cases.  The company A. J. Renner S/A., Indústria do Vestuário hired the composer Miguel Gustavo to produce this album and though it was made especially for Renner, here are performances of great singers of the time that, as far as I know, the songs don't appear on any of their carrer albums.  This is really a piece for collectors.  Enjoy!

01. Roupa É Roupa Renner - Britinho e Orquestra Columbia
    (Miguel Gustavo) • 1:47
02. Janeiro: Ano Bom - Luciene Franco
    (Miguel Gustavo) • 2:19
03. Fevereiro: Chegou Carnaval - Dircinha Batista
    (Miguel Gustavo) • 3:04
04. Março: Volta Às Aulas - Sônia Delfino
    (Miguel Gustavo) • 1:53
05. Abril: Marcha De Brasília - Jorge Goulart
    (Miguel Gustavo) • 2:41
06. Maio: Dia Das Mães • Elizeth Cardoso
    (Miguel Gustavo) • 2:27
07. Junho: São João - Luiz Vieira
    (Miguel Gustavo) • 3:07
08. Julho: Dia Da Vovó - Roberto Silva
    (Miguel Gustavo) • 3:17
09. Agosto: Dia Do Papai - Jorge Veiga
    (Miguel Gustavo) • 2:54
10. Setembro: Primavera - Lúcio Alves
    (Miguel Gustavo) • 2:28
11. Outubro: Dia Das Crianças - Carequinha
    (Miguel Gustavo) • 2:25
12. Novembro: Recordações - Altamiro Carrilho
    (Miguel Gustavo) • 2:58
13. Dezembro: Dia De Natal - Conjunto Farroupilha
    (Miguel Gustavo) • 2:18
14. Roupa É Roupa Renner - Britinho e Orquestra Columbia
    (Miguel Gustavo) • 1:47

SUCESSOS ODEON 64

Sucessos Odeon 64 (1964) or Alternative

Sucessos Odeon 64

This is a very eclectic compilation made by Odeon.

01. Que Queres Tu De Mim - Altemar Dutra

    (Jair Amorim/Evaldo Gouveia) • 2:44

02. Dominique - Trio Esperança

    (Soeur Sourire/Vers.: Romeo Nunes) • 2:13

03. Diz Que Fui Por Aí/Vou Andar Por Aí - Isaura Garcia

    (Zé Keti/Hortêncio Rocha/Newton Chaves) • 3:14

04. Abraça-me - Anísio Silva

    (Almeida Rêgo/Antonio Correa) • 2:42

05. Roberta - João Dias

    (Naddeo/Lepore/Vers.: Romeo Nunes) • 2:59

06. Os Intocáveis - Moreira da Silva

    (Miguel Gustavo) • 3:18

07. Acorrentados (Encadenados) - Trio Irakitan

    (Carlos Arturo Bris/Vers.: João Miranda/Genival Mello) • 2:36

08. Se Eu Tivesse Alguém (If I Had A Hammer) - Golden Boys

    (Pete Seeger/Lee Hayes/Vers.: Dominique) • 2:29

09. Lobo Bôbo - Wilson Simonal

    (Carlos Lyra/Ronaldo Bôscoli) • 3:11

10. Tchin Tchin (Cheat Cheat) - Tony Campello

    (R. Anthony/Chris Blackwell/Vers.: Fred Jorge) • 2:46

11. Garota De Ipanema - Pery Ribeiro

    (Tom Jobim/Vinícius de Moraes) • 2:15

12. Calendário - Orlando Dias

    (Adelino Moreira) • 3:12

13. Na Roda Do Samba - Elza Soares

    (Orlann Divo/Helton Menezes) • 2:27

14. Amor De Nada - Marcos Valle

    (Marcos Valle/Paulo Sérgio Valle) • 1:55

MILTINHO

Poema Do Adeus (1961)

Poema Do Adeus

01. Poema Do Adeus (Luís Antonio) • 3:09

02. Palhaçada (Haroldo Barbosa/Luís Reis) • 2:25

03. Estou Só (Raul Sampaio/Benil Santos) • 2:52

04. Fim De Parceria (Fernando César/Dalton Vogeler) • 2:36

05. A Canção Que Virou Você (Luís Antonio) • 2:49

06. Maldade (Jair Amorim/Evaldo Gouveia) • 2:47

07. Mulata Assanhada (Ataulfo Alves) • 2:56

08. Estrada Do Amor (Luís Antonio) • 2:07

09. Perdoa Coração (Marino Pinto/Aluízio de Barros) • 3:36

10. E O Tempo Parou (Edson Borges) • 1:56

11. Solução (Raul Sampaio/Ivo Santos) • 1:55

12. Depois (Capiba/Thalma de Oliveira) • 2:40

CONJUNTO MELÓDICO NORBERTO BALDAUF

Baldauf Retorna (1962)

The Conjunto Melódico Norberto Baldauf, originally called Conjunto Norberto Baldauf, is a band which plays mainly instrumental music - Brazilian and from other countries.  For many years it was dedicated to radio shows, performing live, and on TV as well.  It also was very requested for the parties in the Estates of Rio Grande do Sul and Santa Catarina.  It used the voice of Edgar Pozzer, the group's crooner.

In 2006 the group completed 53 years of activities, still very popular in Rio Grande do Sul and with some of its original founders, like the pianist Norberto Baldauf and the guitar player Raul Lima.  They performed as a quintet for the first time at the ball at the UFRGS' Faculdade de Arquitetura on May, 17th, 1953 and it was progressively enlarged to an octet during the following years.

During the 1950's among the band's formation included the musicians Norberto Baldauf (piano), Raul Lima (guitar), Victor Canella (accordion), Léo Velloso (bass and management), Porto Rico (drums), Wilson Baraldo (drums), Fausto Touguinha (percussion), Luiz Octávio (crooner) and Renê Martins (crooner).

During the 1960's the formation was Edgar Pozzer (crooner), Léo Belloni (drums), Hélio Santos (vibraphone) and Heitor Barbosa and also the short appearance of Elis Regina for only three performances.

The band animated thousands of events for nearly six decades, toured through Brazil and neighbouring countries, performed at Rádio Gaúcha and Rádio Farroupilha, was one of the pioneers at TV Piratini and recorded 15 albums for the lables Odeon, Philips and Continental.

Baldauf Retorna

01. Pernas (Sérgio Ricardo) • 2:39
02. Serenata (L. Anderson/Mitchel Parish) • 2:33
03. Arrivederci (Umberto Bindi/Giorgio Calabrese) • 3:18
04. Picante Y Sabroso (Francis Lopes/R. Lambertucci) • 2:44
05. Se Amor É Isso (Luiz Henrique) • 2:33
06. É Fácil Dizer Adeus (Tito Madi) • 2:27
07. Só Em Teus Braços (Tom Jobim) • 2:27
08. Sabor A Mi (Alvaro Carrillo) • 3:04
09. Mia Cara Carolina (Franco Pisano/V. Wood) • 2:22
10. Saudade De Brinquedo (Mutinho/Carlos Augusto) • 3:00
11. Theme From "The Apartment" (Charles Williams) • 2:45
12. Reginella Campagnola (Eldo di Lazzaro/Bruno di Lazzaro) • 2:43